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The Day I Became a Woman (2000)

Libération : 2000-09-01
Genre : Drame
Runtime : 74 minutes
Page d'accueil :
Entreprise : Makhmalbaf Productions
Jeter : Fatemeh Cherag Akhar, Hassan Nebhan, Shahr Banou Sisizadeh, Ameneh Passand, Shabnam Toloui

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The Day I Became a Woman Wikipedia The Day I Became a Woman The Day I Became a Woman Persian Roozi ke zan shodam‎ روزی که زن شدم is a 2000 awardwinning Iranian drama film directed by Marzieh Meshkini It tells three stories each depicting a different stage in the lives of Iranian women It premièred at the 2000 Venice Film Festival and won several festival awards during 2000 The Day I Became a Woman As an example of astonishing visual poignancy The Day I became a Woman is the globally celebrated debut of Marziyeh Meshkini a young Iranian filmmaker bringing her rich and diversified national cinema to bear on an enduring global concern in a new crescendo of memorable subtlety and grace The Day I Became a Woman 2000 IMDb Directed by Marzieh Makhmalbaf With Fatemeh Cherag Akhar Hassan Nebhan Shahr Banou Sisizadeh Ameneh Passand A film comprised of three interconnected vignettes that depict women at three stages of life in Iran The first part centers on a young girl on her ninth birthday who is told that she can no longer play with the boys she had been playing with only the day before because she is now a Trailer for The Day I Became a Woman Three overlapping stories of women at different stages of their life unfold on the Iranian island of Kish TheFirouzanFifty The Day I Became a Woman Movie Review 2001 Roger Ebert The Day I Became a Woman A group of women all cloaked from head to toe in black furiously pedal their bicycles down a road next to the sea A ferocious man on horseback pursues one of the women Ahoo who is in the lead This is a womens bicycle race and Ahoos husband does not want her to participate The Day I Became a Woman The Day I Became a Woman trailer Category Film Animation Suggested by HAAWK for a 3rd Party Protect Your Music The Day I Became a Woman BAMPFA Putting a defiantly feminist spin on the Makhmalbaf Film House’s adept blend of documentary realism and dreamlike fable The Day I Became a Woman is “an astonishing directorial debut” Stephen Holden New York Times The Day I Became a Woman review No wonder the powers that be worried about Makhmalbaf’s influence — Meshkini’s thesis film The Day I Became a Woman is a scathing indictment of the harsh stifling treatment of women in Iran At least it is from a Western point of view The Day I Became a Woman The new Iranian film The Day I Became a Woman creates a flow of symbolism so potent so transporting in its physicality that its impact all but transcends its righteous liberal ”meaning” In